Managing Your Social Media – 7 Post Ideas for Independent Musicians
by
IndieFlow Staff
Social media is the ultimate source to leverage followers and keep them in the know. Staying consistent with post frequency, quality and engaging content is key to build and grow your audience. However, coming up with new posts over and over again can be daunting and stressful.
Most artists feel that the responsibility of creating engaging content on a regular basis and becoming a one-person production company does is not a skill they naturally have.
Things don’t necessarily have to be that complicated! Simplicity is key when it comes to social media, and as you probably noticed, there is not one secret sauce to make fans magically come running to your door. You will eventually find your authentic voice.
In the meantime, here are a few themes to help you step up your game:
The Making Of (Exposing Your Followers to the Creative Process)
The process of songwriting, producing, mixing and marketing is always intriguing!
Especially if you have some good footage, captures from the studio, other talents who participated in the process and so forth. Sharing your creative process to your audience and fans makes exposes the story behind the song and spotlights the building blocks, motives, ideas behind the song. This additional exposure to your audience deepens the connection between the creator and fans.
When creating Making Of content for social media make sure to save your videos, photography and behind the scenes footage for marketing material! Some ideas for useful Making Of content can be: videos of vocal recording sessions, raw takes of just you playing the song in a natural environment, sharing footage or the story of the inspiration behind the track.
Post a Lyric Video
Not every song needs to have a fully produced video clip.
There are literally hundreds of websites out there with royalty free videos like: pexels.com, pixabay.com where you can use a few cool atmospheric videos for your track.
Import the video into a movie editor software like i-Movie or Lightworks to add your lyrics. As a stand alone post it may not be the fastest post content you will create, but it could be an engaging, eye-capturing way for fans to interact with your music and also serve as content for your YouTube channel or other video outlets.
Share Nostalgic Styled or Throw Back Posts
Do you have any embarrassing moments from your childhood? A picture of you playing at your first concert? Post it!
People love seeing older photos of others. It’s not only a way to reveal another part of yourself or your background, but also can be a humoristic, nostalgic moment which is always easy to connect with.
Cover A Favorite Song or Artist
Cover songs have quite a few advantages. It really depends on how far you want to take this. Anywhere from simple guitar covers shot from your phone to a multi instrumental studio session.
Share a Playlists of Influential Music
Creating playlists and sharing with your fans is a cool giveaway as well as another nice way to create a deeper connection with your fans. People who appreciate the same artists have something in common.
Build Up Posts and Teasers of Upcoming Releases
Pretty much a no brainer. This comes naturally to most artists. You’re probably super excited about your next release, whether it is a song , an album, a video, a vinyl, new merch. Anything new is exciting! And anything new gives reasons to start a conversation.
Leverage this excitement and use it strategically by creating cool offers for early adopters. You can do a pre-save campaign for an upcoming track release, or start teasing with images of your new cool merch thats cooking, while creating discounted offers for whoever order in advance.
You don’t have to think transactional necessarily. This can be simple excitement about an announcement of a new gig date you closed. The point here is don’t just wait for the announcement of a new event. Build up towards the day of announcement and be generous with your fans.
Collaborations with Similar Artists
Do some research and find a few artists to collaborate with.
Collaborations on social media go way beyond just posting and the beautiful thing about it is that you’re expanding your music network – which is the number one thing you need to focus on if you’re building a music career.
There are endless ways to collaborate with musicians around you: You can produce a track with someone, do simple covers to each others songs, perform together, do a webinar on a mutual interest you both have and so much more.
Whats nice about music is that when it comes to fans, you’re not necessarily in competition. On the contrary, if a fan loves your music, and a collaborator makes music in the same genre or style the fan will be happy to discover the collaborator through you.
A collaborator’s strategy won’t only give you something to post about, it will help you grow and reach new fans.
Social media is the ultimate source to leverage followers and keep them in the know. Staying consistent with post frequency, quality and engaging content is key to build and grow your audience. However, coming up with new posts over and over again can be daunting and stressful.
Most artists feel that the responsibility of creating engaging content on a regular basis and becoming a one-person production company does is not a skill they naturally have.
Things don’t necessarily have to be that complicated! Simplicity is key when it comes to social media, and as you probably noticed, there is not one secret sauce to make fans magically come running to your door. You will eventually find your authentic voice.
In the meantime, here are a few themes to help you step up your game:
The Making Of (Exposing Your Followers to the Creative Process)
The process of songwriting, producing, mixing and marketing is always intriguing!
Especially if you have some good footage, captures from the studio, other talents who participated in the process and so forth. Sharing your creative process to your audience and fans makes exposes the story behind the song and spotlights the building blocks, motives, ideas behind the song. This additional exposure to your audience deepens the connection between the creator and fans.
When creating Making Of content for social media make sure to save your videos, photography and behind the scenes footage for marketing material! Some ideas for useful Making Of content can be: videos of vocal recording sessions, raw takes of just you playing the song in a natural environment, sharing footage or the story of the inspiration behind the track.
Post a Lyric Video
Not every song needs to have a fully produced video clip.
There are literally hundreds of websites out there with royalty free videos like: pexels.com, pixabay.com where you can use a few cool atmospheric videos for your track.
Import the video into a movie editor software like i-Movie or Lightworks to add your lyrics. As a stand alone post it may not be the fastest post content you will create, but it could be an engaging, eye-capturing way for fans to interact with your music and also serve as content for your YouTube channel or other video outlets.
Share Nostalgic Styled or Throw Back Posts
Do you have any embarrassing moments from your childhood? A picture of you playing at your first concert? Post it!
People love seeing older photos of others. It’s not only a way to reveal another part of yourself or your background, but also can be a humoristic, nostalgic moment which is always easy to connect with.
Cover A Favorite Song or Artist
Cover songs have quite a few advantages. It really depends on how far you want to take this. Anywhere from simple guitar covers shot from your phone to a multi instrumental studio session.
Share a Playlists of Influential Music
Creating playlists and sharing with your fans is a cool giveaway as well as another nice way to create a deeper connection with your fans. People who appreciate the same artists have something in common.
Build Up Posts and Teasers of Upcoming Releases
Pretty much a no brainer. This comes naturally to most artists. You’re probably super excited about your next release, whether it is a song , an album, a video, a vinyl, new merch. Anything new is exciting! And anything new gives reasons to start a conversation.
Leverage this excitement and use it strategically by creating cool offers for early adopters. You can do a pre-save campaign for an upcoming track release, or start teasing with images of your new cool merch thats cooking, while creating discounted offers for whoever order in advance.
You don’t have to think transactional necessarily. This can be simple excitement about an announcement of a new gig date you closed. The point here is don’t just wait for the announcement of a new event. Build up towards the day of announcement and be generous with your fans.
Collaborations with Similar Artists
Do some research and find a few artists to collaborate with.
Collaborations on social media go way beyond just posting and the beautiful thing about it is that you’re expanding your music network – which is the number one thing you need to focus on if you’re building a music career.
There are endless ways to collaborate with musicians around you: You can produce a track with someone, do simple covers to each others songs, perform together, do a webinar on a mutual interest you both have and so much more.
Whats nice about music is that when it comes to fans, you’re not necessarily in competition. On the contrary, if a fan loves your music, and a collaborator makes music in the same genre or style the fan will be happy to discover the collaborator through you.
A collaborator’s strategy won’t only give you something to post about, it will help you grow and reach new fans.
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BACKSTAGE WITH: EMILY KEATING | EMILY KEATING MUSIC on SPOTIFY | NEW YORK, NY
Main influences on making music?
When I was little Joni Mitchell felt like my musical mother. She sang what I dreamed of singing. She is a major influence on my music. Then in high school, my musical guru became Regina Spektor. I obsessively learned her songs like they were my own. Come college Bon Iver and Sufjan Stevens became the first male artists to deeply influence my work.
My other main influences are Kate Bush, Carole King, Lady Gaga (mainly what she stands for), and Sylvan Esso. I know there are more, but these are the first to come out of my mouth and heart.
Most appreciated and innovating artists in the NY Music Scene?
NY music venues are the heartbeat of the city. A lot of the original venues from the 60’s and 70’s closed down, so the places that are still alive are very alive indeed. More than any artist I can name right now in the NY Music Scene. The music venues are the ones that are innovative in their consistency, their openness to explore different sounds, and they stand strong in their conviction that music is one of the answers.
What are your main challenges as a young, up and coming singer-songwriter?
It is truly hard to execute everything that needs to be done in one day / in one week/ in one month/ in one year.
From writing new music, keeping up my vocal and instrumental technique, maintaining an active engaging social media presence, playing shows and rehearsing with my band, networking events, promoting new releases, working on PR and marketing, there is A LOT to do in this beautiful career of music. I know it’s all about creating your team, which I’m finally starting to build with the right people. This helps immensely, as it is impossible to succeed doing this career alone. I will always be the captain on the ship but the ship only moves with a team on it. The challenge here is picking the right people for my team, knowing who to trust, and who will help me move forward to my dream.
The other key here is organization / making priorities and managing time well-which are big challenges.
When the pandemic hit NYC you retreated to upstate New York. How is your time spent in the Catskills?
My parents recently bought a very old farmhouse from the 1800’s in Parksville, New York. It is an enchanted piece of land, there is a lot of beauty here. I am very grateful and humbled to experience it.
I have spent a lot of time in the woods speaking and singing with the trees, and thanking the earth for being who she is and apologizing for what other people have done to her. From that headspace, I have written a few new songs in this seven week period that I’m really excited about with with producers from afar. I am currently writing my debut album with these producers.
Did you manage to record new material while in Parksville?
I have recorded all my new material by phone and have sent these files to my producers in NY and LA. One of my next steps in my list of priorities after my EP releases, is learning how to record vocals from where I am-I’m going back to the city to my apartment for two weeks so I plan to record there. This is NOT an easy task for me, as the engineering side of production does intimidate me. But I know this is the very reason I have to do it, to grow in this area of my work. Besides, this is the only way my producers can move forward in the songs we are creating for my record No Drama Club.
My guitarist, drummer and co-songwriters have recorded from their homes and have sent their recordings to my different producers. I am SO grateful I have them on my team, and that the producers I’m working with are creating such musical beauty from where they are remotely. It’s interesting because my idea for my debut record was to always have many different producers from across the country contribute. Now this is happening outside of my control – It is fascinating this was my vision from the start.
How are you technically managing music collaboration & work during CoVid 19 times?
Frequent communication and check-ins have been key to moving my songs forward in this time. Even if I reach out to say I cannot focus on this song until my EP is released this week, I do so and it feels balanced this way. I only had one producer tell me that he couldn’t resume our production of our song untill we were back in person in the studio. I respect his decision because we all create differently and each song has a different need and story. Another producer I was working with completely dropped the ball on our song and communication because of his own mental health faltering in this time-I have complete empathy for him and understanding. But it was very challenging to have to start completely from scratch from afar. On this particular song I’m working with a very talented co-writer-Without the producers stems we had to look for a brand new producer on a song that was already written. But when I take a big breath I see that everything that’s happened is leading us to how the song is supposed to exist. But, yes, for a song to thrive in this time, all parties need to be in good communication.
There is also an amazing creativity and synergy that has happened working with my producers and collaborators from afar. By working in our own spaces, there’s an intimacy and space that is born in the music that wouldn’t have been found in real time in the studio-with the ticking of the clock.
Something I’ve learned with my song writing and collaborations in this time is that if I give the songs more space to breathe (ie. not forcing a melody if it’s not working and taking a few days to let it build) a power is born within the music that I never want to loose from my songwriting now, There is something to say about deadlines and moving quickly-genius is born there.
Have the last months proven to be in anyway inspirational for you as an artist?
YES. Nature has again become my biggest motivator and inspiration. Looking within and having more time on my own has been a catalyst for new work too. And facing the most challenging relationships of your life, your family (with love) has let a lot of creativity enter my body mind and spirit. I’ve learned the lesson of patience again with songwriting, the daily work it takes on a song to master it, and the beauty of listening to what you can’t see might be where all the answers are.
I’ve started to meditate again every morning, and because of that I have been able to create words and melodies I might have not otherwise made.
What is your next music project? What excites you most about it?
My debut album No Drama Club. I’m currently writing each song with different producers in NY and LA. It is me, but it has an evolved sound from my first EP HEART made in 2018. This EP of mine is FINALLY releasing this week-That is very very exciting. Writing my first long record is exciting in a way I can’t put into words yet-All I know is it’s challenging me and making me put my best self forward. That’s all I will write about it now 🙂
Which venue are you waiting to perform at? Why?
The venue I’m waiting to perform at is any stage I can get on next. I’m not picky as long as I have an audience, my band and my voice. I love performing more than anything. It’s truly a remarkable feeling at home in a place that’s sacred. The stage is as sacred as a temple or church. I know performance is also the best rehearsal I can ever have. You give it your all (hopefully) and then you can see yourself clearly, and where you can improve. I can’t wait to do my first tour. Right now my venue is the screen-performing on live streams and that’s wonderful in a weird, new way. I’m eager to learn more with my band again, to make as cohesive as a sound we can make.
My dream venues? Red Rocks, The Beacon Theatre, and Radio City Music Hall.
Recommendations for up and coming artists to take and treat their art as a business?
Stay organized in the way that works for you. Don’t give up on finding that way until you master it. Speak up-always. To people you’re working with and to the world. Don’t take your music so seriously that you’re intimated to make new songs. Try to get back to the place when you wrote songs for fun, for the pleasure of it. Try to get to know someone well before signing any contract, or even having them work with you on your team. But be very open that’s the only way they’ll come. Know you deserve the best team and people supporting your career and don’t settle for less. Always stay excited even when all you’re doing is the business side of your career for a few days-because this is even a privilege to do. You’re pursuing your dream and there should be a lot of gratitude in that. If you’re not naturally business or technically savvy do not ever give up on becoming it. You are capable of learning anything you focus and put time into. Know that comparison is the devil-It only defeats you does nothing else. Know that you are unique and your music has a purpose no matter how daunting or competitive the industry might seem. Don’t let lack of funds stop you from making your art and marketing it-If you show up for your creativity/otherwise yourself, the world will conspire to help you-including finding the funds.
Don’t be as hard on yourself as I am, but still expect only greatness from yourself.
Who are your favorite collaborators & people you just love to work with?
I love to work with my band and my four amazing players, a songwriter i’m working with right now Jeff Franzel, and producers Nico Phillip, Eric Sanderson, Fran Cathcart, Bob Cutarella, Byrn Bliska, Itamar-Gov-Ari. There are many more but those are the first people that come to my mind. Thank you!
BACKSTAGE WITH: ATELLER | ATELLER MUSIC on Spotify | New York, NY
Main influences on making music?
Ateller: O Mer, Flying Lotus, James Blake, Radiohead, Fallen Atom, Zeppelin, Bon Iver, Kendrick, Anderson Paak, Chris Dave, my friends
Challenges in music production?
Ateller: Sit your ass down and work 🙂
Challenges in being a musician in 2020?
Ateller: Oooof — I don’t know where to start! I would say that the biggest challenge is the need to master many things that aren’t music – social media, marketing, fashion, brand, business. I don’t think we were prepared for it and whereas we’ve probably spent our 10,000 hours on music, we certainly haven’t on the other stuff. That creates a gap between talented profound musicians and their potential audience, because we simply don’t really know how to reach them.
Best ways new artists can reach an audience?
Ateller: Funny to finish my last answer and the read this question. Well – I just don’t know!
What is the most exciting aspect of launching your new album?
AT: This one had the strongest impact on me so far. Many people have been reaching out, writing long thoughtful messages about how the album touched them from all over the world. It’s kind of a mind fuck that something I did completely alone now belongs to other people and they have their private relationship with it.
Best ways to book gigs in 2020? What are your favorite venues and why?
AT: Well — I still book my gigs based on personal connections and just writing emails. I’m not sure that’s the best way. I really like to play at Baby’s All Right where I have a show at Feb 26, if you’re in NYC — come!
How and when did you start realizing that you can support yourself financially with music?
AT: I’ve been only doing music for roughly 3 years now and it’s truly the best feeling in the world. To me it’s mixing several worlds that create a somewhat consistent income – producing myself and other artists, playing drums and touring with other artists, and DJing. I think you need to have more than 1 expertise these days and be very flexible and adaptable in order to survive today, in all professions really.
What are your recommendations for up and coming artists who would like to take and treat their art as a business?
AT: My main advice (to myself included) would be to constantly release music. You can only benefit from dropping music to the world. You engage with the enviroment in a real way and learn and grow that way, whereas sitting on music, trying to perfect it for years and never releasing it gives you nothing and creates unnecessary loops in your head.
BACKSTAGE WITH: SOKAMBA | SOKAMBA MUSIC on SPOTIFY | LOS ANGELES, CALIFORNIA
What is Sokamba? How long did it take to make this project happen?
The Los Angeles based Sokamba Collective has been facilitating cross-media creation since its inception in 2012. Sokamba is made up of a diverse group of artists including dancers, acrobats, actors, musicians, visual artists, animators, cinematographers, educators and software engineers.
With collaboration and connection at our core, we produce multimedia art shows, educational workshops, and performing arts classes with the mission of fostering community, igniting social-emotional reflection, and creating space for growth, healing, and transformation.
We believe in using thoughtful creation to push boundaries, start conversations, and incite the shifts we hope to see in our social systems, politics, and interactions – utilizing the power of imagination individually and collectively to transform and revive our communities.
The show ‘Petrichor’ was an idea seed dating back to ~2015 – we had finished up our show ‘Thereafter,’ and were looking to take our shows to a new kind of canvas and community space. This led us to collaborate with the Vortex Dome in Los Angeles – an amazing group of individuals! We traded contacts and began planning the ‘how,’ as early as 2016.
How did this vision come to life? Which parts of it were planned and which parts of it just happened by accident?
Between 2016-17 we had a number of USC graduations in our collective so things were a bit busy, but we were able to begin the process of doing a demo show to test out some concepts, with the dome, alongside some one-off shows with the World Art Day organization, and a few performances at LA Artwalk (this is just stuff I was a part of – I know there are more experiences, including a collab with the Summit organization!).
We were able to become artists-in-residence, with many Sokamba dancers and visual artists contributing efforts to the Dome’s other programming. We finally found the right moment in 2018; around April, after a few months of ‘almosts,’ and some preliminary fundraising rounds, things finally get set in motion!
We had about 2 months by to create the entire show from scratch, market it, continue to raise funding, and perform it. Let’s just say there have been months where we got a bit more sleep than that particular spell of time…
What is Sokamba? How long did it take to make this project happen?
The Los Angeles based Sokamba Collective has been facilitating cross-media creation since its inception in 2012. Sokamba is made up of a diverse group of artists including dancers, acrobats, actors, musicians, visual artists, animators, cinematographers, educators and software engineers.
With collaboration and connection at our core, we produce multimedia art shows, educational workshops, and performing arts classes with the mission of fostering community, igniting social-emotional reflection, and creating space for growth, healing, and transformation.
We believe in using thoughtful creation to push boundaries, start conversations, and incite the shifts we hope to see in our social systems, politics, and interactions – utilizing the power of imagination individually and collectively to transform and revive our communities.
The show ‘Petrichor’ was an idea seed dating back to ~2015 – we had finished up our show ‘Thereafter,’ and were looking to take our shows to a new kind of canvas and community space. This led us to collaborate with the Vortex Dome in Los Angeles – an amazing group of individuals! We traded contacts and began planning the ‘how,’ as early as 2016.
How did this vision come to life? Which parts of it were planned and which parts of it just happened by accident?
Between 2016-17 we had a number of USC graduations in our collective so things were a bit busy, but we were able to begin the process of doing a demo show to test out some concepts, with the dome, alongside some one-off shows with the World Art Day organization, and a few performances at LA Artwalk (this is just stuff I was a part of – I know there are more experiences, including a collab with the Summit organization!).
We were able to become artists-in-residence, with many Sokamba dancers and visual artists contributing efforts to the Dome’s other programming. We finally found the right moment in 2018; around April, after a few months of ‘almosts,’ and some preliminary fundraising rounds, things finally get set in motion!
We had about 2 months by to create the entire show from scratch, market it, continue to raise funding, and perform it. Let’s just say there have been months where we got a bit more sleep than that particular spell of time…
What were your main challenges in bringing this immersive experience to life?
There was so much we wanted to do – finding our limits was pretty difficult because our dreams are sometimes too big for a budget!
Interactive animation and dance’s intersection is something we would’ve liked to explore in more detail, alongside having more time for animation, and pre- + post-show activities. There were some talks of sculpture.
I can’t imagine that Rissi (our director) ever slept. She was coordinating everybody from a directorial standpoint and that is a monumental effort alongside a full time job. Communicating among the music team proved difficult as well – wish we’d had IndieFlow then! Also despite my best efforts, nobody artistic will seemingly ever stay on Slack for more than a week at best.
I should also shoutout the intention to perform the whole show live, rather than using tracks, and also to mix that live show for spatial audio. That unfortunately was something we ran out of time for, although composer Casey Astorino (better known for her solo project ASTRINA) was absolutely instrumental in helping us translate some of the elements to the live stage.
How did you guys assemble so many people to be a part of this project?
That’s a credit to Rissi, Stevie, and those who built the Sokamba universe from the get-go. Everybody here is such a fire performer that the connections people have created are unreal, and not only that but they’re all people that love to nurture connections as opposed to ‘name-drop.’ USC’s music program also played a role in helping all of us come together, as did the Downtown LA Capoeira center, Downtown Dance, to name a few key places.
The Sokamba experience entitles various art formats. Animation, dance, sound design, and composition being the leading parts. How is a composition born and what happens afterwards? Describe the artistic process of getting to that final result?
While I can’t speak exactly to the process that led Rissi to create the unifying show vision – within that, we had broad categories. Some of the song names were actually simply the names of the original prompt we were given as a jumping off point, including the first few tracks, ‘Union, Seed & Womb, Breath, etc.’ That really helped us, though – a unifying vision.
Sound is the first developed sense, but movement comes naturally to many Sokambas – we initially split up the music composer team into individuals and pairs to each create from a prompt, and there would usually be dialog with the dance choreographer who was paired with the same prompt about the vibe of a piece.
Once a ~V3 was completed musically, dance would begin choreographing. Jamie Lew, the in-house animation genius, did most of the animation at the last step. We generally approach the music like ‘indie rock / electronic music’ – not as ‘film-score music bed,’ and any sound design linked to choreography is included as a sound within a ‘song.’
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Many different artists and composers have joined forces to make this thing happen and it also sounds like there’s a lot of artistic freedom throughout the whole album. Did you use some sort of creative guideline to make sure all music pieces stay aligned?
Justin Bell came in to help me out as I was getting swamped trying to both music direct and help out on the interactive tech side, and he ended up saving the day, and he became the co-music director (but basically did all the intelligent organization + helped me ground ideas into reality (love you Justin!)).
Initially it was mostly about the choreographers catching a vibe from the music. Justin or I would help step in to make sure that pieces could flow together – we rearranged the order here and there, created an ‘intensity map’ and an ‘abstract to organic’ spectrum for the music and that helped us maintain a sense of flow across the pieces.
What are the goals for Sokamba down the line? Where do you wish to see yourselves 5 years from today?
I’m going to quote our mission statement first:
With collaboration and connection at our core, we produce multimedia art shows, educational workshops, and performing arts classes with the mission of fostering community, igniting social-emotional reflection, and creating space for growth, healing, and transformation.
What could this all look like manifested? A Sokamba Center in Los Angeles, where education, free artistic practices, community-building, and performances can take place side by side, alongside a growing worldwide network of collaborators and amazing humans engaging in a beautifully flowing community.
Additionally, I imagine we’d love to keep pushing the boundaries within our individual artistic mediums and embracing new technologies that allow us to further facilitate community, as they come! You’ll also likely see further crossover with environmental and social activism efforts.
We love seeing independent projects like these and wanted to know what are your 3-4 main takeaways from the experience? What tips would you give someone who also tries to do something like this?
Concept is key! Unified concept is key.
Pitch decks and organizational frameworks for these kinds of shows should be developed early, well in advance.
Work with your sponsors to figure out when is best to reach out to them in a way that’s win-win as far as funding.
Don’t try to boil the ocean! Know your limits going in and don’t be afraid to ask hard questions along the way. Communicate well! Communicate well! Communicate well! Meditate!
Tell us about the Dome experience and how did Covid affect your plans?
Thankfully we were able to perform the show in 2018, but the soundtrack album’s release was significantly delayed by a combination of incorrect metadata translation between myself and our original distributors (this was my first proper music distribution effort for an LP – I recommend starting slightly smaller if the pressure is on!), and then COVID hit and basically we got stuck in many inboxes forever, waiting to hear back from Apple Music about why something labeled ‘deluxe’ was considered erroneous, for example.
All these little types of miscommunications that come down to nitpicky details that are specific to each streaming platform, basically stalled the distribution process in a very frustrating way. Multiply that by the COVID pandemic and nobody had the patience to handle this project without the extra nudge from the distributor (that is where IndieFlow came in & saved the day!).
COVID also caused us to move our school programming to a virtual setting for now.
What is the Sokamba school?
Sokamba believes a healthy community is rooted in nurturing the full depth of our creative senses. We guide participants in learning artistic skills while reflecting collectively on social-emotional experiences. Through each course participants develop a creative project rooted in their personal story. Right now, we offer Virtual Dance, Music, Storytelling & Visual Art Courses!
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